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Joshua Dobson

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Name: Joshua Dobson


Joshua Dobson likes to make his own fun, some of which has appeared in The New Flesh, Microhorror, Innsmouth Free Press, Pulp Metal Magazine, Horrotica Online Magazine, Sex & Murder Magazine, Surreal Grotesque, Razor Dildo, Twisted Dreams Magazine, Horror Sleaze Trash, Sinisterotica (Pill Hill Press), Grindhouse (Crowded Quarantine Publications).

I write short works of surreal horror with a sense of humor, and more often than not a big throbbing boner.  I also make macabre and/or surreal pictures, assemblages, and scullptures.  I'm a dilettante.
 
Salt Trucks on the Highway & Rapist's Bite @ The New Flesh
 
Cheap Milk & How Amputrees Grow @ Microhorror
 
The Smut in Surreal Grotesque Issue 1
 
Glory Unholy @ Horrotica
 
A Perverse Proposition for Jenny Jelly-Butt @ Razor Dildo
 
 
Contact email: blackpinecone@live.com
 

Likes: big butts (and I cannot lie . . .)

Dislikes: bats, if any bats are reading this know that I hate you with the fire of a thousand arsons and soon I will find where you live and burst into your bedroom in the middle of the night shrieking horribly and flapping my arms in a most menacing manner










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Erika Dawn Price

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Name: Erika Dawn Price
 
AKA: Processproduct
 
Erika D. Price is a social psychologist, writer, and eternal student living in Chicago, Illinois.  She began writing fiction after three years of reading and writing draining, dry academic prose for her graduate education, and her new found love of creative writing has saved her sanity. She writes all her first drafts on the Notepad app of her iPhone, which sounds insane but is actually quite a convenient way to bang out ideas on the go while simultaneously looking like a vapid, perpetually-texting woman-child. In her spare time she eats marshmallows and wanders around Chicago’s lake shore.

Short paragraph about the kind of art I do: I write fiction, and most of my 'work' falls into one of two camps: short, postmodern flash pieces that rehash or reimagine ancient myths, and longer, realist short stories about how human relationships and existential dread play out in a variety of modern settings. These two types of "work" that I write reflect my underlying philosophy of writing: Every story is either a retelling of myth or a roman a clef. We write what we know-- whether we know it from years of ingesting culture and storytelling tropes, or from our own emotional and moral struggles. When I write, I'm always trying to elicit two simultaneous reactions: A snort of snarky laughter, and a twinge of empathy in the gut. Hopefully, I occasionally succeed at those pursuits. 
 

Here's some work that's been featured on Tumblr's edited 'Prose' tag: http://processproduct.tumblr.com/post/30249862554/the-impasse

 
Here is work of mine that's been selected by Tumblr Fiction's other editors: http://tumblrfiction.tumblr.com/search/processproduct

And I'm published in the August 2012 issue of Efiction Horror: http://www.efictionmag.com/horror/

And of course I'll be in Linguistic Erosion in October and Smashed Cat in December.
 

Education: BA in Psychology and Poli Sci, MA in Social Psychology, workin' on a Psych PhD presently
Likes: Marshmallows, Pumpkin Candy Corns, PRI's Selected Shorts Podcast, postmodernism, existentialism, miniature versions of things
Dislikes: Relationship missives, Pinterest, Makeup, Word count limits, People who think it isn't okay to split infinitives
Status: Consorted
Anything Else:  I firmly believe in the power of creating a writing schedule and sticking to it, and forcing yourself to write even when you don't 'feel inspired'!

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Jim Clinch

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Name: Jim Clinch
Jim Clinch lives in Southwest Florida and writes novels and short fiction.  He is also a singer/songwriter.  Jim's novel "Canterbury's Tale" is a humorous mystery featuring a decidedly un-PC beach bum who gets in some big time trouble.  His short stories appear most recently in Linguistic Erosion and Bradburesque Quartely.
I seek to entertain wiith engaging, memorable characters and infectious dialogue.  My novel, which sometimes might seem just funny, is really intended to make the reader think about the anguish of the main character and how little we really know about people from the surface view.  My short fiction is usually a brain-tease, meant to force the reader out of a comfortable place.
I am happily married and the father of three grown children.  When not writing or playing music I like to fish and complain about the government to no one in particular.

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